jueves, 25 de noviembre de 2010
sábado, 20 de noviembre de 2010
Museo Iramain Tucuman Argentina: MARIA iRAMAIN BY Julio Sapollnik
Museo Iramain Tucuman Argentina: MARIA iRAMAIN BY Julio Sapollnik: "From the book ' Argentine Art Celebrates the Bicentenary' Painting as an instrument of emotional fulfillment arose from trends related to ..."
MARIA iRAMAIN BY Julio Sapollnik
From the book " Argentine Art Celebrates the Bicentenary"
Painting as an instrument of emotional fulfillment arose from trends related to the mid-1990´s Expressionism snd Informalistmovements.These schools are close to the surrealism automatic release on wich odds and the search for freedm lead to works that overlook conventionsl rule.In short, compositions result from unintentional actions that convey the artist´s psychological circumstances.That practice becomes an mprint of a particular moment in the creator´s life and transforms the pigments in a realmshared by recollections, dreams. desires, pleas and invocations.The interesting image shown here depicts two hands clappedin prayer amid a dense, difficult to understand universe that should be figured out subjectively.In this context, the hands attached to the background, attempting to secure an anchor to the cosmos, allow us to comprehend the nature of chaos.Maria Iramain finds in art the support she needs to overcome the spell that any evntual illness may spoil.
Painting as an instrument of emotional fulfillment arose from trends related to the mid-1990´s Expressionism snd Informalistmovements.These schools are close to the surrealism automatic release on wich odds and the search for freedm lead to works that overlook conventionsl rule.In short, compositions result from unintentional actions that convey the artist´s psychological circumstances.That practice becomes an mprint of a particular moment in the creator´s life and transforms the pigments in a realmshared by recollections, dreams. desires, pleas and invocations.The interesting image shown here depicts two hands clappedin prayer amid a dense, difficult to understand universe that should be figured out subjectively.In this context, the hands attached to the background, attempting to secure an anchor to the cosmos, allow us to comprehend the nature of chaos.Maria Iramain finds in art the support she needs to overcome the spell that any evntual illness may spoil.
the painting of Maria del Huerto de Iramain
Just in the New Testament we visualize clear allusions that annonce changes, in the same ways this painter from Tucumán, Argentina, that talks of the times to come.Her painting possesses plastic constant that allude to a crucial moment of the history of Tucumán and her country Argentina. She has been a witness of the terrible moments of our historythat have remained engraved in each argentinian during the seventeens. The work of this artist appears precisely in 1983 when the argentinians recuperate democracy, the moment in wich the argentinians painting emerged again a a cry of life and hope.That faith colors her work.Her painting reflects the most austandingfacts of the world that emerged from the inside so as a cry of life and hope.Married to the son of the sculpter JUAN CARLOS IRAMAIN, Leonardo Iramain, she lived and shared with this family that possesses a great artistic an religius tradition in TUCUMAN, Argentina.After Maria Iramain graduated a a lawyer she moved to Buenos Aires, returning 25 years afte.There she shared the mos important moments of her youth...Today she develops a very important task at the Museum rescuing the work of the scultor JUAN CARLOS IRAMAIN, At present due the circumstances of the political and socioeconomic crisis that the country undergoing, she works bravely and without rest to rescue the permanents values of this family.She is determined to restore not only a regional patrimony but also the dignity and respect of popular expressions. Her task has been to safeguard a cultural space and to find again a place that was a home of peace.MARIA DEL HUERTO DE IRAMAIN is devoted to a creation and support of basic institutions related to art and culture.María Iramain, present curator and President of the Iramain Museum persues in the pictorial field as well as in the conservation of the patrimony, what she uses a a combat and comunication weapon: THE FREEDOM of expression in the field of art where the diverse disciplines are expressed. THE PLURALITY OF THE WORLDS: Colos, matter, gesture, line, stroke, symbols,are made evident in the work of Maria del Huerto Iramain as language that articulates over a visual field with a passional rhithm and a language that develops a mistic. The discovery of an inside world and its influence in the field of painting leads her to explore figures and to use as example her everyday word. Her constant pictorial symbols allude to the idea of ascent, as we can visualize in the recurrent stairs that are placed in the diverse imaginary spaces of her work.In the same way doors appear as places that have to be gone trough, an opening and an invitation towards other spiritual dimensions.Another constant in her work is the representation of the Plata River, that has been her painting one of the motives that inspired her images. Color is emblematic, it emerges of light and accompanies the idea of a structure that ascends that is represented in her work by triangular figures even the Virgin of the Valley is conceived from this singularity.HER PICTORIAL STAGES HAVE DEVELOPED A LANGUAGE THAT GOES FROM THE FIGURATIVE TO THE ABSTRACTION of the symbols.The domestic world begins her work representing everyday life where the animals that lived together like cats and frogs accompanied her.The painter turned these small animals into beings that learned to epress themselves with the communication that distinguished the Franciscan grace. Her mistic vision. engaged in defense of the Crists placed on the mounains, specially the one placed on the mountain of San Javier, Tucuman, Argenins, has become for her a crusade in wich she puts all her energy to see this work restored and saved from the harshness of climate.For this task she has not only requested help from centers and foundations, but has also fought for her demand to be hear to Congressmen. Doctor in Law, Maria Iramain, uses her word and paint brush to move the essence of the opinion of the people of her Province as well as those that defend aur national patrimony. ROSA FACCARO AACA-AICA THIS IT WAS PUBLISHED IN THE FIRTS BOOK ABOUT MY ART, THANKS ROSA FACCARO. Maria Iramain
sábado, 23 de octubre de 2010
domingo, 26 de septiembre de 2010
Museo Iramain Tucuman Argentina
El Museo Iramain fue fundado por el escultor Juan Carlos Iramain el 9 de julio de 1935, con gran generosidad de su parte y de su familia abrieron su casa como museo. Es una casa de principio del siglo pasado, lo que se llama casa chorizo. el Escultor j.c..iramain, comensó por tirar pardes abajo y hacer frisos escultoricos en todas las paredes, y les colocó oro a la hoja. El museo iramain, fue el primer museo privado de la provincia de Tucuman, y quizas, del norte argentino, visitado por todos los grandes espiritus de la epoca, la cultura era brillante en Tucuman, en ese tiempo, el museo llegó a ser el centro de la cultura tucumana junto con el setiembre musical del teatro San Martin
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