MARIA iRAMAIN BY Julio Sapollnik

From the book " Argentine Art Celebrates the Bicentenary"
Painting as an instrument of emotional fulfillment arose from trends related to the mid-1990´s Expressionism snd Informalistmovements.These schools are close to the surrealism automatic release on wich odds and the search for freedm lead to works that overlook conventionsl rule.In short, compositions result from unintentional actions that convey the artist´s psychological circumstances.That practice becomes an mprint of a particular moment in the creator´s life and transforms the pigments in a realmshared by recollections, dreams. desires, pleas and invocations.The interesting image shown here depicts two hands clappedin prayer amid a dense, difficult to understand universe that should be figured out subjectively.In this context, the hands attached to the background, attempting to secure an anchor to the cosmos, allow us to comprehend the nature of chaos.Maria Iramain finds in art the support she needs to overcome the spell that any evntual illness may spoil.